![]() Once dry, cover with paper and use the side of a crayon to pick up the dotted texture.ĩ. Texture rubbing and crayons: Create your own densely dotted texture rubbing plate with hot glue and cardboard. Punched dots, colored paper and glue: Use colorful dots punched out of paper and glue them onto your artwork, evenly spaced.Ĩ. Pencil eraser and liquid tempera paint: Dip the eraser end of a new pencil into paint and stamp into your artwork.ħ. Q-Tips and liquid tempera paint: Dip q-tips into thick paint and use precision to dab your dots.Ħ. Bubble wrap and marker: No paint? No problem! You can still print with bubble wrap by gently coloring a section with a washable marker, then printing it on paper that has been dampened with a wet sponge.ĥ. Allow this to dry and use it for a Lichtenstein-inspired collage.Ĥ. ![]() Lay your paper on top and gently smooth the back of the paper, then lift to reveal the dot-printed paper. Bubble wrap and liquid tempera paint: Brush liquid tempera paint on a paper-sized piece of bubble wrap. Marker: Create repeating, bold dots with the gentle press of a marker.ģ. This works best if the artwork is small, that way students don’t get fatigued creating dots.Ģ. There are various ways you can imitate his iconic pop art style using different materials and media with your students.ĩ Ways to Create Ben-Day Dots in Your Art Roomġ. Lichtenstein painted very large canvases with tiny dots, placing them close to one another and varying the size so they would create value.Ĭreating Ben-Day dots is a fun way for your students to incorporate a bit of Lichtenstein’s style into their artwork. This was an inexpensive way to create shadows and secondary colors. Lichtenstein used this idea to create pink shades and flesh tones, using magenta and white. To create the appearance of more colors and shades, the colors are printed in small dots that are closer together, far apart or overlapping.įor example, when cyan and yellow are overlapped, they create green. In printing Ben-Day dots, four main colors are used: cyan, magenta, yellow and black. Lichtenstein liked the mechanical, commercial feel that the Ben-Day dots gave his artwork.īen-Day dots are named after illustrator and printer Benjamin Henry Day Jr. Instead of using paint to add color to his work, he used stencils to fill in areas on canvas with small dots, known as Ben-Day dots. He was inspired by newspaper advertisements and comic strips, and he often reproduced these every day images in his artwork. Roy Lichtenstein (1923-1997) was an American artist and leader in the pop art movement. ROY LICHTENSTEIN DOTBOT GENERATOR DOWNLOADLearn 9 ways to create Ben-Day dots in your art room with the download below. With Lichtenstein’s birthday coming up on October 27th, now is a great time to celebrate this influential pop artist by teaching his iconic Ben-Day dots in your classroom! Well, at least one thing this fuzzy enlarged image does–it encourages the visitor to go look at the actual drawing in the gallery to see the true sharpness and fidelity of the original hanging on the wall.Are you looking for some colorful inspiration for your art room? The bold colors and comic book imagery of famous artist Roy Lichtenstein are sure to grab your students’ attention. If I’m able to capture this detail holding my camera in dark gallery lighting, it makes one wonder what sort of scanner or camera the official staff is using at the Art Institute of Chicago. Holding the camera manually with no tripod, I managed to get some decent paper and chalk details. ![]() I tried photographing the original print on the wall with my Nikon D610 and a macro lens. Is it possible to capture sharpness in an image that big? Wouldn’t you at least be able see the specific grain in the paper? You can imagine, upon closer inspect, the resolution of this large sign didn’t carry over too well. 1605, by Dutch artist Hendrick GoltziusĪrt Institute of Chicago Reference Number 2014.983 The original drawing: Two Male Heads after the Antique, the Sons of Laocoön,Ĭ. ![]() It says, “come inside and look at this show”. It grabs you while you walk by this gallery. The resulting large signage is rather powerful. The Art Institute blew up a 6-inch by 10-inch drawing to be 10 feet tall. Especially impressive is the large sign at the front of the exhibit. The collection of 17th century Dutch and Flemish drawings at the Art Institute of Chicago is a nice display of work. ![]()
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